“I’m definitely not trying to be RuPaul, I’m not trying to be Michelle Visage. “I don’t try to be like any type of judge that I’ve seen,” she says. But with 18 years experience under her belt, from pageants to the world’s biggest stages, it’s her own advice and critiques that will no doubt prove the most invaluable. “And I just want to make sure that, my fans know that being a drag artist doesn’t mean you’re a man dressed up as a woman – that’s part of it, but there’s so many other aspects to drag.”Įach week Trinity is joined by a special guest – among them fellow Drag Race alumni Shea Coulée, Peppermint and Alaska. ![]() The diversity of the cast is one of the things that sets Love For The Arts apart – and is making the series a hit with drag fans desperate to see the full spectrum of the art represented. A drag king, Spikey Van Dykey, was set to be the tenth contestant but quit ahead of the first episode due to personal reasons. The nine contestants on the new, digital Love For The Arts hail from around the world and cover a wide-ranging array of drag styles.Īmong them are Zodi, a non-binary drag artist from Birmingham, UK Kat Wilderness, a trans pop drag princess from Miami, US and Lesley Wolf, a Colombian queen who describes her styles as a “constant variation between 90s divas and clown art”. ![]() “I’ve always been that way but especially since I’ve been on Drag Race, it’s super important that when you’re given such a big platform like this, that you do use your voice for positivity and also to help other people reach their dreams.” Once I got to a comfortable place in my local scene, when I became the queen, immediately I was like, ‘OK, well, what can we do to uplift these new generation of drag queens that are coming up, give them a platform, help them’. “I’ve always been the person who tries to give back,” she tells PinkNews.
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We’re not just voyeurs we’re voyeurs actively working at cross-purposes against the show’s purported heroes.īut that’s what Breaking Bad does so well, and it had to trick us to get to this point. Once that camera jiggles the first time, it moves and shifts even more, as the cop nearly loses control of the potential deal, then regains it with his flat-out lie about what’s in the constitution (which relies on his assumption that Badger is an idiot-Walt wouldn’t have fallen for it). At first, this just seems like it might be an arty attempt to do a scene already loaded with tension in one take in one shot, but just when you’re starting to think, “C’mon, let’s get moving already,” the camera JIGGLES, just a little bit, and that’s when you start to realize-before the cop even tricks Badger-that what we’re seeing isn’t the omniscient point of view of the audience, but, rather, the omniscient (as far as this park bench is concerned) point of view of the Albuquerque police department. The entire encounter is shot in a long shot from across the street, cars zipping by between the camera and the actors. What’s surprisingly elegant about the way McDonough shoots this scene (in a way that suggests Gould initially scripted it that way as well) is just how he lets you in on the fact that Qualls IS playing an undercover cop. When Badger falls for it and sells the buyer some meth, we’ve already figured out what we always suspected-that the buyer was a cop all along-and we’re unsurprised to see Badger taken down (indeed, by the very vans he said would be his downfall in the first place). 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The episode even manages to make famed comedian Bob Odenkirk seem like a part of its universe with a character who is both the sort of joke-y character he plays well and a necessary piece of the puzzle of Walter White’s (Bryan Cranston) burgeoning criminal empire. In so many ways, it’s a minor encapsulation of so many of the show’s major themes (from the idea that you can’t be just a little bit of a criminal to the thought that resisting temptation is so very, very hard), but it’s also a surprisingly fast-paced episode of the notoriously slow-moving series. It’s not perfect, by any means, but it would be nauseatingly hilarious in one shot and then cut to another that would load on the unbearable tension. ![]() “Better Call Saul” is the kind of episode that made me get interested in television in the first place. |
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